2002
graphics: Artists Rights Society; Performance for MIDI keyboard, pianola configurations, and click-track:G. Schirmer Rental; studio portrait of Hedy Lamarr: Roy George and Associates.
Lance Olsen tells the story of a creative writing professor who walked.
Lev Manovich makes the first sustained case for a new media theory, but with cinema as his starting point he has a hard time engaging the non-representational artforms and aural explorations to be found there. So argues the Australian media writer, geniwate.
In the era of English Department Cultural Studies, does the study of literature belong to the poet-professors? Marjorie Perloff offers a view from the English Department of what CW can do.
David Radavich rethinks creative writing as an art of living - one of many.
Sukenick responds to Fleisher's feminist critique of "Narralogues" in the voice of his own fictional jeune-fille, Jane.
Reflections on Creative Writing as potentially part of the tradition of the avant garde.
Sandy Huss suggests that the reform envisioned by Amato and Fleisher is already underway.
Joe Amato and Kass Fleisher suggest that creative writing pedagogy, particularly as found in the typical workshop, might benefit from a major, theoretically-informed, re-visioning. Introduced by ebr managing editor (1999-2002), Kirsten Young.
Brandon Barr considers Loss Glazier's attempt at a hypertext poetics that moves beyond the link.
Linda Carolli on the third hybrid collection by Michael Joyce, a work (like the technological landscape it's about) at once industrial and informatic, essayistic and narrative, technical and autobiographical.
Polymythic Personalistic Organicism, Biocentric Egalitarianism, and the Postmodern Return to Religion.
Setting one scholar's legalistic solutions against texts by cyber-critics and posts by netizens and web artists, geniwate looks at the issue of copyright law online.
Steffen Hantke reviews the reviewers of Don DeLillo's Body Artist, dispelling the notion that, after Underworld, the shorter book is necessarily a slighter one.
Christine Bucher, reviewing Beatriz Columnina, considers the narrative and photographic dimensions of interiors designed by Adolf Loos and Le Corbusier.
Adrien Gargett on Pierre Missac's unification of empirical biography and textual production, and the development of a "criticism of indirection" too often missing from Benjamin studies.
Dave Ciccoricco returns to Michael Joyce's 1997 novel so as to avoid bringing hypertext criticism to a premature closure.
Entering the cyberdebates, Scott Rettberg moves beyond technique and proposes a more generative approach to hypertext, in which an author's intention and poetic purpose have a role.
A revaluation and appreciation of Stanley Elkin on the occasion of the Dalkey Archive reprinting of four separate volumes.