Stephen Hawkins engages with the "web of counterintuitive, paradoxical, contentious and yet important claims" that he identifies in Gilles Deleuze's Proust and Signs.

Geneviève Brassard defends Gerald Graff's original approaches in Clueless in Academe against his critics - for the problem with Graff's book does not lie between the covers but rather between the ears of those who fault him excessively for sins of omission and commission.

As Christian Moraru argues here that the new is still the objective in contemporary writing. But writers and artists make it by making it anew rather than new ("Get it used," Andrei Codrescu invites us), a new not so much novel as renovated, reframed and reproduced rather than produced, which by the same token redefines and advertises authorship as deliberate plagiarism.

With an introduction by Joseph Tabbi, this collaborative essay by Strickland and Lawson Jaramillo carries the debate into the analysis of specific poems and poetic practices, both written and spoken, graphic and sonic, alphabetically and digitally coded.

Rob Swigart's "Seeking" is a clever and funny story whose roots lie in the materialization of internet interdating connections. Moving through the technological and media reductions of desire, Swigart parallels the overarching theme of "seeking" with a form that is itself punctuated with questions.

Ken Hirschkop questions whether poststructuralism and self-referentiality offer workable alternatives to the military 'World Target' that, according to Rey Chow, provides the framework for knowledge production in Departments of Comparative Literary Studies.

Teri Hoskin, as part of the collection of electropoetics essays on Gregory Ulmer, hypertextually approaches the question of writing and design, of writing as design.

Darren Tofts and Lisa Gye introduce the collection of essays, appearing here in the electropoetics thread, from the Alt-x e-book The Illogic of Sense.

Marcel O'Gorman offers a candid account of what it means to introduce the computer apparatus into teaching in the humanities.

Michael Jarrett practices an Ulmer-inspired heuretics to write about rap.

Jon McKenzie, a former student of Gregory Ulmer's, traces the relations of influence and mentorship.

Linda Marie Walker writes an involved meditation on the concept of the interface and its relation to place.

Niall Lucy enacts a writing that weaves critical and theoretical speculation, rock journalism, hagiography and autobiography.

Craig Saper ingeniously interprets Gregory Ulmer as an object of study, as both a vehicle and driver of signification.

NINES is an initiative at the University of Virginia to "establish a coordinated network of peer-reviewed content and tools." We present the project here because it's consistent with the initiative at ebr to create a peer-to-peer literary network for conceptual writing.

Bethany Nowviskie of the University of Virginia introduces the COLLEX tool, a "COLL-ection" and "EX-hibition" of online images and interlinked texts. Nowviskie's white paper is the first essay to be "wrapped" into the ebr interface. That is, the essay has itelf been collected, tagged, and interlinked with the essays in ebr. This way, the essay is not just about the development of a semantic network - it is part of one.

Kiki Benzon and Mark Z. Danielewski discuss his 2006 book Only Revolutions at the International Festival of Authors in Toronto.

There has never been a 'Best of the electronic book review' or a print collection. After ten full years of online publication, ebr has devised other ways of marking time, using techniques available in the same electronic media where the work first appeared. Here the editor presents an initial 'Gathering' of ebr essays, pulled from each of the journal's threads to date.

Trace Reddell introduces Sonic Contents.

Erik Davis listens to Lee Perry's work.