Thomas Cohen on ecotourism in Bolivia and discovering the post-humans of the past.

Paisley Livingston on Stanislaw Lem and the history and philosphy of Virtual Reality.

Todd E. Napolitano on Going Gonzo: Following the Trail of the WWWench

Paul Harris hybridizes the terms of hypertextual discourse and takes it to a higher power.

Anne Burdick reads Jay David Bolter's Writing Space.

Sandy Baldwin on music in the new media ecology.

Dodie Bellamy gets to the "dirty parts" of contemporary fiction.

Matthew Fuller on The Cyborg Handbook.

Martin Rosenberg discusses Kiki Smith's feminist visual art and cognitive science.

Having women in power won't automatically make for caring, sensitive environmental policies as Stacy Alaimo implies in her review of Carolyn Merchant and Val Plumwood.

Lisa Joyce critiques the rash of historical fiction by women, circa 1996.

Cris Mazza sends in her introduction to the follow-up volume of Chick-Lit, No Victims.

Todd E. Napolitano on the kitsch of on-line journals, most of which have flashed and disappeared since they were panned here, in the Fall 1996 ebr.

Elisabeth Sheffield on the implications of the anthology that helped to put the term "postfeminsim" into circulation.

Joe Amato on the Social Text controversy.

Christopher Knight on Stanley Fish's Professional Correctness.

Lidia Yukman describes the experience of teaching people of differing backgrounds.

Elisabeth Joyce reads Howe as a postfeminist Thoreau facing the dilemma that 'to inhabit a wilderness is to destroy it.'

Diane Goodman on the anthology that helped put the term "postfeminism" into circulation.

The postfeminist issue of ebr was the first to use visual art as a means of navigation as well as illustration.