R M Berry Replies to Joseph Tabbi

If you're under the impression that Americans are wealthy, check out the capital city of Latvia.

Ara Wilson writes a riposte on the gathering of "waves" essays; she points out that global feminist politics provides a necessary perspective on debates about the current state of feminism.

Benjamin J. Robertson responds to Francis Raven's review of Lessig's Free Culture. Writing against Raven, he outlines the ways in which Lessig's work is crucial for our current cultural moment.

Lisa Joyce introduces this new gathering, titled "waves," of postfeminist essays.

Alison Piepmeier examines the differences in postfeminism and third-wave feminism.

Dave Ciccoricco responds to Luc Herman and Bart Vervaeck.

Karim A. Remtulla asks to what degree postfeminism is identical with hactivism?

Jess M.  Laccetti presents a theory of "multi-mimesis" as a way to redefine female subjectivity.

Luc Herman and Bart Vervaeck review Marie Laure-Ryan's Narrative as Virtual Reality: Immersion and Interactivity in Literature and Electronic Media. They review the essential characteristics of hypertext to suggest more nuanced ways to understand realism in relation to virtual reality.

Caren Irr reframes the question of private property through fantastic narratives of the commons.

Hanjo Berressem provides both fast-forward and slow-motion readings of Slavoj Žižek's Organs without Bodies: On Deleuze and Consequences.

William Smith Wilson injects the transcendentals of aesthetic illusions into Hardt and Negri's immanent materialism.

Linda C Brigham complicates Hardt and Negri's case for network resistance.

Peter Hare responds to Lori Emerson's review of Walter Benn Michaels.

Eric Dean Rasmussen traces the contours of Hanjo Berressem's rigorous, bi-tempo reading of Organs without Bodies, which finds Žižek's philosophical buggering of Deleuze to be wanting.

William Smith Wilson builds on his earlier ebr essay, "The End of Exemptions of Beauty," with this companion piece.

Nick Spencer argues that the multitude is machinic, even without machines.

Aron Pease introduces this collection of essays by Linda Brigham, Caren Irr, William Wilson and Nick Spencer with a look at the multitude's programmability.

Chris Stroffolino responds to Lori Emerson