Steffen Hantke reviews the reviewers of Don DeLillo's Body Artist, dispelling the notion that, after Underworld, the shorter book is necessarily a slighter one.

Lance Olsen reviews Shelley Jackson's first print collection.

Joseph Tabbi reviews the essay collection Simulacrum America.

Lance Olsen reviews hypertext writing, past and present, by Robert Arellano.

Sue Im-Lee reviews Reciting America by Christopher Douglas.

Elizabeth Wall Hinds reviews Andrew Miller's first novel, Ingenious Pain, winner of the James Black Memorial Fiction Prize and the 1999 International IMPAC Dublin Literary Award.

Linda Carroli reviews Michael Joyce on networked culture, whose emergence changes our ideas of change.

--> Chicago art critic John Brunetti reviews The Truth on Tape, a survey of Daniel Wenk's art

Cary Wolfe reviews Allison Hunter's installation at Europas Parkas in Lithuania. In her work, interspersed as it is among that of other artists, Hunter focuses our attention on signification in the crevices of the so-called public sphere.

Chicago art critic John Brunetti reviews The Truth on Tape, a survey of Daniel Wenk's art, and Black Mountain College's Dossier Ray Johnson.

Nick Montfort reviews Espen J. Aarseth's Cybertext, which stakes out a post-hypertextual terrain for literary criticism and practice. Interactive excerpts from some of the cybertexts that Aarseth discusses are included.

Stacey Levine reviews Re.La.Vir (2000) by Jan Ramjerdi.

William O'Rourke on the beat of the Clinton beat. Includes reviews of Andrew Morton's Monica's Story (1999); George Stephanopoulos's All Too Human: A Political Education (1999), Michael Isikoff's Uncovering Clinton: A Reporter's Story (1999); Bob Woodward's Shadow: Five Presidents and the Legacy of Watergate (1999); and Christopher Hitchens' No One Left to Lie to: The Triangulations of William Jefferson Clinton (1999).

Jan Baetens reviews the Raymond Federman Recyclopedia, a book whose humour - and evident bad taste - raise it above its own formidable constraints.

Thomas Hartl reviews Ron Sukenick's Mosaic Man

Tony D'Souza reviews Alex Shakar's City in Love: The New York Metamorphoses (1996).

Cynthia Davidson reviews Sex for the Millennium by Harold Jaffe

Timothy Melley reviews Mark Fenster on conspiracies in fact and fiction and finds evidence against the assumption that only nonexistent conspiracies produce conspiracy theories.

Luc Herman reviews the collection, Cyberspace Textuality by Marie-Laure Ryan, and warns against the creation of a false dichotomy between the digital and traditional print text.

Bruce Clarke reviews the new translation of Grammophone, Film, Typewriter, a requiem and good-riddance for the era of so-called Man.