2003
Aaron Pease reviews Manual DeLanda's philosophy of the virtual.
2002
Virginia Kuhn reviews an essay collection - Cybertext: Yearbook 2000 - ambivalent about its own printed status.
Steffen Hantke reviews the reviewers of Don DeLillo's Body Artist, dispelling the notion that, after Underworld, the shorter book is necessarily a slighter one.
2001
Joseph Tabbi reviews the essay collection Simulacrum America.
Lance Olsen reviews hypertext writing, past and present, by Robert Arellano.
Sue Im-Lee reviews Reciting America by Christopher Douglas.
Elizabeth Wall Hinds reviews Andrew Miller's first novel, Ingenious Pain, winner of the James Black Memorial Fiction Prize and the 1999 International IMPAC Dublin Literary Award.
Linda Carroli reviews Michael Joyce on networked culture, whose emergence changes our ideas of change.
--> Chicago art critic John Brunetti reviews The Truth on Tape, a survey of Daniel Wenk's art
Cary Wolfe reviews Allison Hunter's installation at Europas Parkas in Lithuania. In her work, interspersed as it is among that of other artists, Hunter focuses our attention on signification in the crevices of the so-called public sphere.
Chicago art critic John Brunetti reviews The Truth on Tape, a survey of Daniel Wenk's art, and Black Mountain College's Dossier Ray Johnson.
2000
Nick Montfort reviews Espen J. Aarseth's Cybertext, which stakes out a post-hypertextual terrain for literary criticism and practice. Interactive excerpts from some of the cybertexts that Aarseth discusses are included.
William O'Rourke on the beat of the Clinton beat. Includes reviews of Andrew Morton's Monica's Story (1999); George Stephanopoulos's All Too Human: A Political Education (1999), Michael Isikoff's Uncovering Clinton: A Reporter's Story (1999); Bob Woodward's Shadow: Five Presidents and the Legacy of Watergate (1999); and Christopher Hitchens' No One Left to Lie to: The Triangulations of William Jefferson Clinton (1999).
Jan Baetens reviews the Raymond Federman Recyclopedia, a book whose humour - and evident bad taste - raise it above its own formidable constraints.
Tony D'Souza reviews Alex Shakar's City in Love: The New York Metamorphoses (1996).
Cynthia Davidson reviews Sex for the Millennium by Harold Jaffe

