1999
Geoffrey Winthrop-Young gets inside De Landa's total history.
Poet Nina Zivancevic translates and comments on poetry by the founder of Modernism in Yugoslav literature
Svetozar Postic, on why his contemporaries in Serbia don't write like Hemingway
Doug Nufer on big business's buy-out of history and the corporate biography's elevation to an art form untroubled by irony.
John Matthias reflects on Humphrey Carpenter's biography of 1992, in light of earlier work by Auden and recent findings.
Vana Goblot reconsiders the Russian Master
Piotr Parlej surveys contemporary Polish poetry
1998
Jan Baetens re-reads a print hypertext by France's leading gay author, whose work loses something in the actual translation into electronic hypertext.
Thomas Swiss unravels Laura Miller's arguments in the New York Times Book Review and finds news of hypertext's demise premature - as was Robert Coover's call for the end of books five years ago in the same journal.
Stacey Levine on the occasion of Dalkey Archive's reprinting of The Age of Wire and String
Steffen Hantke presents an archeology of Don DeLillo's Underworld.
Stephanie Strickland asks how a poetics of hypertext can structure encounters with the world that are as resonant and co-participatory as quantum models.
On the futures of electronic scholarship - an exchange among editors.
On the futures of electronic scholarship - an exchange among editors.
J. Hillis Miller looks at the "multimedia" Victorian novel, embodied in ink, paper, cardboard, and glue.
In collecting essays for ebrs 6 and 7, the editors sought work that would not only talk about image and narrative theory in the networked environment; we wanted essays with design elements in their very construction. The essays were presented in the context of Anne Burdick's first integral design for the journal itself, ebr version 2.0.
1997
Joel Felix listens in on Postmodern Culture's privatization debate.